Jafar
Джафара
Dzhafara (ru)
483 visitors
Джафара
Dzhafara (ru)
Year | 1951 |
Director(s) | Hintibidze Arkadiy |
Studio(s) | Tbilissi Film Studio |
Language(s) | Russian |
Genre(s) | Misc. |
Animation Type(s) | Drawn (cel) |
Length | 00:09:58 |
Wordiness | 6.9 |
Animator.ru profile | Ru, En |
Subtitles:
⭳ Dzhafara.1951.en.1.25fps.1631345413.srt
Date: September 11 2021 07:30:13
Language: English
Quality: good
Upload notes: 69 characters long (view)
Creator(s): Eus, Lemicnor₂, Niffiwan₂
⭳ Dzhafara.1951.ru.1.25fps.1488650160.srt
Date: March 04 2017 17:56:00
Language: Russian
Quality: unknown
Upload notes:
Creator(s): Lemicnor
⭳ Dzhafara.1951.en.1.25fps.1631345413.srt
Date: September 11 2021 07:30:13
Language: English
Quality: good
Upload notes: 69 characters long (view)
Creator(s): Eus, Lemicnor₂, Niffiwan₂
⭳ Dzhafara.1951.ru.1.25fps.1488650160.srt
Date: March 04 2017 17:56:00
Language: Russian
Quality: unknown
Upload notes:
Creator(s): Lemicnor
Description:
A young jay named Jafar is mean to other birds and gets ostracized for his behaviour.
Whereas until 1950 the animation of Tbilissi Film Studio was still very Disney-influenced, in the sense that animals would wear clothes and behave very un-animal-like, in 1951 that was over, as Socialist Realism dictated naturalism in depiction and behaviour, including for animal animations.
There is still a human-like educational theme, but the depiction has changed a lot. Compare it to Audacious Mountaineers, of the same director from a year before, and the difference is obvious. Yet the color palette used still has the same soft-toned beauty. From Spring Vistors (1949), to [i]Audacious Mountaineers (1950), to Jafar (1951), the cartoons of Tbilissi Film Studio show a remarkable progress in naturalism. Yet, what is the superior animation? A nice question to ask ourselves.
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