Been sick for most of this week, so I haven't been able to update. But I happened to come across this film today, and I think it's a good one, though pretty grim. I marked it "18+" here, but maybe the whole point is that it's meant to be unsettling for younger viewers? Rather makes one lose the appetite for sausages.



Normally I'd translate the title as "Resurrection" (after the Resurrection of Jesus), but it's the same as the name of the studio and they translated it "Revival" (although maybe they chose that as their English studio name and site URL simply because it's a shorter English word with easier to remember spelling). Also, animator.ru translated the title as "Sunday", but that's because whoever did the translation there didn't know the context ("Sunday" in Russian is the same word as "Resurrection").

>>1

>Why is the Tsar's palace located in a small town that is clearly not Moscow or St. Petersburg?

Yeah, I felt like they should have been more like local nobles or something, this would have also given the daughter more of a reason to run of to big Paris



>Why did the snake Scarapeya wait so long to reveal who she was, and why did she stay unhappily in Ivan's house if she could have left at any time?

I think Scarapeya waited for the right moment and place to tell Ivan her secret and to get rescued, after all he rode all the way to some remote place, maybe the snake people don't just want to show up in some populated area, but then again she had thet immensely powerful magical ring... I guess she couldn't gift him her ring if she just fled with it.

I've been busy with some important backend work on the site, so there haven't been any newly added films in recent days. I decided to add this one because I'd already done the translation for it (for the later compilation).



Although I generally really like it, there were two things that always bugged me:

1) Why is the Tsar's palace located in a small town that is clearly not Moscow or St. Petersburg? (I asked Nosyrev this question once, and he replied: "the Tsar from "The Magic Ring" is an aggregated, fairytale figure. Neither St. Petersburg, nor Moscow have any relation to him. The characters and events in the tale are not tied to a concrete place and time, but to a particular historical epoch. The storyteller is free to think up whatever he can imagine in his tale, so long as it is interesting to the listeners (or in this case, the viewers) - that is his primary goal. We're not presenting a historical study, after all, but a joyous spectacle - that's what the folk tale is for.")

2) Why did the snake Scarapeya wait so long to reveal who she was, and why did she stay unhappily in Ivan's house if she could have left at any time? (I still don't know the answer to this one - let me know if anyone has any ideas).

>>7

>By the way, I have noticed that the umlauts (Ää, Öö, Üü) are displayed correctly on the update page, but on the entries' pages they are just a string of characters.

Thanks for bringing my attention to this, I'm going to try and fix the existing errors and then figure out why it's doing that.

EDIT: I think I fixed it.



>Adult cartoons might have more material to work with and are more flexible when it comes to work arounds, but i still have to confirm this myself.

It varies. :)



>The easiest and most straight forward one was "Absent-Minded Giovanni"

Likewise.



>But sometimes you need to translate a translation, think about the oratoriums of Haydn "Die Schöpfung" and "Die Jahreszeiten", the librettos were translated from Englisch into German and then back into English for the English audience, so that the text will fit the music.

I had to do that for Hrzhanovskiy's cartoon about English nursery rhymes. He adapted the Russian translation of them, which was not the same as the original English! I had to re-retranslate quite a few lines, although sometimes I left it closer to the original English even though it didn't quite match what was on the screen (for example, in the original English, boys are made of "frogs and snails, and puppy-dogs' tails", but in Russian the "puppy-dogs' tails" are replaced by "seashells", which is what the cartoon shows. But I couldn't figure out a way to work that into the translation, and it is such a well-known line that I left it as it is, though I'm not really happy about it.



>Now speaking of this, I am not really a fan of the 2012 revival of the carousel series, I might translate them for completions sake, but I will see on that.

I haven't seen them, to be honest, so I can't comment... in any case, I'm definitely prioritizing the earlier ones.



P.S. I've got a question. When sorting English titles alphabetically, words like 'A', 'An', or 'The' at the beginning of a title get ignored. Is there something equivalent in German?

>>6

>Sometimes I've found that children's cartoons are the most difficult, because they require a simplicity and economy of language, while the more "adult" things are actually easier.

I think you might be right, especially when it comes to nursery rhymes. Initially it might be easier to understand and translate, but to really make it work on screen is the hard part. The most difficult one so far was "Cock-and-Bull Story" because it was in verses and also had the spoken words often contrast and play around with what was shown on screen, so I had to get the timing of the words right too. The easiest and most straight forward one was "Absent-Minded Giovanni", even the titular wordplay worked perfectly in German (both "рассеянный" and "zerstreut" mean "scattered" as well as "scatterbrained", as he was literally scattered in the cartoon. I just love it when it works out like this).

Adult cartoons might have more material to work with and are more flexible when it comes to work arounds, but i still have to confirm this myself.



>I'd recommend finding things you like - I've always found that the best motivation, regardless of difficulty. :)

I love these cartoons. Even though they are intended for a child or family oriented audience, they are so masterfully crafted and diverse too. Now speaking of this, I am not really a fan of the 2012 revival of the carousel series, I might translate them for completions sake, but I will see on that.



>When I come across a famous poem like that one, I'll usually check to see if it has already been translated. If there's already a good translation, that's as straightforward as can be. ;)

What a simple and elegant solution, why didn't I think of that myself. But sometimes you need to translate a translation, think about the oratoriums of Haydn "Die Schöpfung" and "Die Jahreszeiten", the librettos were translated from Englisch into German and then back into English for the English audience, so that the text will fit the music.



As for the titles of the silent films and the use of articles, its quite interesting. Often times, when I am unsure, I will skip through the film, sometimes I will just use my natural language intuition. I feel like without an article it's about the general principle or occurrence of a thing, the indefinite article is for a random sample or occurrence of a thing and the definite article is for a special or unique thing or occurrance thereof. But interestingly even though our languages, English and German, are quite similar, the use of articles doesn't always work the same. For example in "Boy and Girl" I have translated it as "Der Junge und das Mädchen", but I wouldn't write "Junge und Mädchen", I don't know exactly why, maybe it's just personal preferance, but the later doesn't sound quite right to me, even though the English one doesn't sound wrong to me (keep in mind that I always translate from Russian to not create indirect translations, I sometimes use the English one as orientation).



By the way, I have noticed that the umlauts (Ää, Öö, Üü) are displayed correctly on the update page, but on the entries' pages they are just a string of characters.

>>5

>Well, for starters I will concentrate on childrens cartoons, I want to develop my skills first, because I don't know how demanding they are.

Sometimes I've found that children's cartoons are the most difficult, because they require a simplicity and economy of language, while the more "adult" things are actually easier. I'd recommend finding things you like - I've always found that the best motivation, regardless of difficulty. :) Maybe find a director who's made a film you've liked and see what else they've done, or if you like films from a particular period, look at what else was made in those years (Browse>Be Decade).



>For example, in "There will come soft rain" there is a poem at the end, but everything before that seems prettty straight forward.

When I come across a famous poem like that one, I'll usually check to see if it has already been translated. If there's already a good translation, that's as straightforward as can be. ;)



>I left the pics in >>1 as they were, because I think it's funny they're too big.

Sure. ;)



>I have no idea were to look for German subs, sorry.

Ah, okay. For a lot of other languages I've found subtitle sites specifically for that language (or sometimes for a closely-related group of languages), so that's the first place I look, but I haven't found a site like that for German.



>I've started to translate the titles for the silent films, but it's harder than I thought.

The stuff from the 1920s and early 1930s can be especially difficult because there were all these ideas, organizations and sayings that are now quite obscure. I get the impression that it was a very weird time. I find translating things from both before and after that period to be easier. Though the 1950s presents its own challenges, because so many of the cartoons from that era had scripts that were all in verse.



>I am always on the fence about if and what kind of article I should use, definite or indefinite.

Sometimes it doesn't matter, while other times it really does but it's impossible to tell without watching the film to understand the context.