Merry-Go-Round 12
Весёлая карусель 12
Vesyolaya karusel 12 (ru)
Lõbus karussell 12 (et)
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Весёлая карусель 12
Vesyolaya karusel 12 (ru)
Lõbus karussell 12 (et)
| Year | 1983 |
| Director(s) | Gavrilko Yelena Gorlenko Aleksandr Mazayev Aleksandr |
| Studio(s) | Soyuzmultfilm |
| Language(s) | Russian |
| Genre(s) | Comedy Misc. Surrealism/dream-logic |
| Animation Type(s) | Drawn (cel) |
| Length | 00:09:36 |
| Wordiness | 2.57 |
| Animator.ru profile | Ru, En |
Subtitles:
⭳ Vesyolaya karusel 12.1983.en.1.25fps.1748152141.srt
Date: May 25 2025 05:49:01
Language: English
Quality: good
Upload notes: 71 characters long (view)
Creator(s): businka1, Niffiwan
⭳ Vesyolaya karusel 12.1983.et.1.25fps.1600908584.srt
Date: September 24 2020 00:49:44
Language: Estonian
Quality: unknown
Upload notes: 72 characters long (view)
Creator(s): Pastella
⭳ Vesyolaya karusel 12.1983.en.1.25fps.1748152141.srt
Date: May 25 2025 05:49:01
Language: English
Quality: good
Upload notes: 71 characters long (view)
Creator(s): businka1, Niffiwan
⭳ Vesyolaya karusel 12.1983.et.1.25fps.1600908584.srt
Date: September 24 2020 00:49:44
Language: Estonian
Quality: unknown
Upload notes: 72 characters long (view)
Creator(s): Pastella
This film is part of the Merry-Go-Round series.
Description:
The 12th entry of a long-running series of short cartoons by promising new directors. Includes: "Pencil and Eraser" (Gavrilko), "What Happened to the Crocodile?" (Gorlenko), "Echo" (Mazayev).
DISCUSSION
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This entry is unusual for not having the "merry-go-round" appear in between the films, but only at the start and end. As for the films themselves, the first one is a very simple and abstract directorial debut by Gavrilko, probably the least fun of her films and interesting primarily for including the unusual music of Alfred Schnittke, who was also one of the favourite composers that Hrzhanovskiy used in his films. The second film by Gorlenko, about the crocodile and the bird, is a very hopeful representation of the Soviet ideal that nurture, not nature is what matters most (which when taken too far led to things like Lysenkoism). The film is well done but is ruined by its narrator, who sounds like a very uninterested woman who just wants to get this over with and would rather be anywhere else. I strongly suspect that the film was originally wordless, but somebody in management couldn't understand it (or thought that kids wouldn't be able to) and insisted on adding the narrator at the last minute. The last film, I think, has not much of a point to it beyond simply being extremely cutesy... it's Mazayev's first film and probably his worst. I haven't seen all of them yet, but all the others that I have seen are better.