The Firebird Riders (Всадники Жар-птицы , 1985) by Merab Saralidze

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The Firebird Riders
Всадники Жар-птицы
Vsadniki Zhar-ptitsy (ru)

Year 1985
Director(s) Saralidze Merab
Studio(s) Georgia Film
Language(s) Russian
Genre(s) Comedy
Folklore & myth (non-Rus./USSR)
Folklore & myth (Rus./East Slavic)
Folklore & myth (Rus./USSR minorities)
Serious
Animation Type(s)  Drawn (cel)
Length 00:10:02
Wordiness 1.08
Animator.ru profile Ru, En
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Subtitles:
⭳ Vsadniki Zhar-ptitsy.1985.en.1.25fps.1792132998.srt
Date: October 16 2026 06:43:18
Language: English
Quality: good
Upload notes:
Creator(s): Niffiwan

⭳ Vsadniki Zhar-ptitsy.1985.ru.1.25fps.1792129523.srt
Date: October 16 2026 05:45:23
Language: Russian
Quality: good
Upload notes:
Creator(s): Niffiwan


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Description:

Satirical transformations of the popular fairy tale motif about a man who must fly on a giant bird that keeps demanding food until he has to feed it his own flesh.

The film imagines what would happen if the humans were not heroes, but simply out to improve their own lot at any price.

This fairy tale appears in many parts of the world (particularly in Europe and Asia) and is categorized as Thompson_Motif-Index B322.1. In Georgia, it is associated with the Paskunji bird. In southern Russia, with the Mogol bird (as recorded by Afanasiev; see example here, p.108). Unlike what the cartoon suggests, this type of story has never been associated with the Firebird; the Georgians who made the Russian-language version of the film were likely unaware of this, so simply chose the name of the most famous mythological bird from Russian folklore that they knew.

 

DISCUSSION



1.  Admin 

Just about everyone is this film is cruel and cynical, doing anything possible to take advantage of other "suckers". There's no hint of the kindness that Soviet animation was traditionally known and praised for (at least by its fans). Even the supposed "good guy" commits murder. The stoic heroism of the traditional story is portrayed as something that maybe existed once, but is out of place in modern times. I think that in a Moscow-based studio, this sort of script would not have been allowed - the periphery apparently had more freedom in this regard, at least by 1985. Does it serve more as a warning, as a guide? Or as a preview of the dog-eat-dog times that were shortly to come?


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