This film was actually a children's version of The Blacksmith's Banner (کاوه آهنگر, Дирафши Ковиёнӣ, Деравш Кавиани). Most of the Šāhnāme characters and events were fictionalized in the period 977-1010, meaning at least four centuries after the Ērānšahr era. Ferdowsi's stories reflected the transition from barbarism to civilization, or the struggle for survival between savage peoples in the steppes of Central Asia, and it had little to do with modern Iran. We should also know that, during this period, all three of the most important continents on the planet were unstable politically, socially and in identity. Of course, in that context, the region that is today Central Asia was truly the epicenter of all turmoil, where people only acted with each other according to commercial interests and vice versa, which only meant war. For many centuries, this was almost the only place where there were huge armies numbering millions, followed by countless massacres : Thousands of heads were cut off, then stuffed with straw and paraded to frighten the public. Therefore, the struggle of the blacksmith Kāve (کاوه آهنگر, Kāve Āhangar, Коваи оҳангар) is the transformation from injustice to justice, or an idol-worshiping society to an age of worship of nature. The story of Kāve is unclear whether it predates or contemporaries Šāhnāme, but the name Zahāk (ضحّاک, Заҳҳок) somehow recalls king Hahav (אַחְאָב) in the Old Testament, which appeared almost a millennium before Šāhnāme.
An interesting fact is that the fictional blacksmith has been revered as the founder of the Tajik nation. An interesting fact is that the fictional blacksmith has been revered as the founder of the Tajik people, while he is less respected in Iran (modern Iranians worship Rostam). During the final uprising, Kāve used a square standard (درفش کاویانی, Drafš-e Kāvīān, "the standard of the kings") embroidered with a golden lotus. Lotus flowers are usually only white or light pink, while yellow flowers also exist but are extremely rare in reality. However, the golden lotus is one of the symbols of Zoroastrianism, what represents the image of the sun. As we know through Greek mythology, the sun symbolizes justice, faith and victory, or combined, fortune.
Thus, during the Soviet period, Tajikistan was the only autonomous republic that consistently featured Šāhnāme in cinema. That said, there were hidden rules for creating Tajikistan's identity, because before the XX-century, Tajiks were only a small and weak semi-nomadic people in Central Asia, even they could not create their own nation. Since 2006, Drafš-e Kāvīān has been restored as the presidential standard of Tajikistan. Perhaps the president of Tajikistan was also once a boy who loved this animated film ?